Saturday, 26 August 2023

Letter in the Wallet


“Letter in the Wallet,”
written by Arnold Fine (1985)

As I walked home one freezing day, I stumbled on a wallet someone had lost in the street. I picked it up and looked inside to find some identification so I could call the owner. But the wallet contained only three dollars and a crumpled letter that looked as if it had been in there for years.
The envelope was worn and the only thing that was legible on it was the return address. I started to open the letter, hoping to find some clue. Then I saw the dateline--1924. The letter had been written almost sixty years ago.
It was written in a beautiful feminine handwriting on powder blue stationery with a little flower in the left-hand corner. It was a "Dear John" letter that told the recipient, whose name appeared to be Michael, that the writer could not see him any more because her mother forbade it. Even so, she wrote that she would always love him. It was signed, Hannah.
It was a beautiful letter, but there was no way except for the name Michael, that the owner could be identified. Maybe if I called information, the operator could find a phone listing for the address on the envelope.
"Operator," I began, "this is an unusual request. I'm trying to find the owner of a wallet that I found. Is there anyway you can tell me if there is a phone number for an address that was on an envelope in the wallet?"
She suggested I speak with her supervisor, who hesitated for a moment then said, "Well, there is a phone listing at that address, but I can't give you the number." She said, as a courtesy, she would call that number, explain my story and would ask them if they wanted her to connect me. I waited a few minutes and then she was back on the line. "I have a party who will speak with you."
I asked the woman on the other end of the line if she knew anyone by the name of Hannah. She gasped, "Oh! We bought this house from a family who had a daughter named Hannah. But that was 30 years ago!"
"Would you know where that family could be located now?" I asked.
"I remember that Hannah had to place her mother in a nursing home some years ago," the woman said. "Maybe if you got in touch with them they might be able to track down the daughter."
She gave me the name of the nursing home and I called the number. They told me the old lady had passed away some years ago but they did have a phone number for where they thought the daughter might be living. I thanked them and phoned. The woman who answered explained that Hannah herself was now living in a nursing home.
This whole thing was stupid, I thought to myself. Why was I making such a big deal over finding the owner of a wallet that had only three dollars and a letter that was almost 60 years old?
Nevertheless, I called the nursing home in which Hannah was supposed to be living and the man who answered the phone told me, "Yes, Hannah is staying with us. "
Even though it was already 10 p.m., I asked if I could come by to see her. "Well," he said hesitatingly, "if you want to take a chance, she might be in the day room watching television."
I thanked him and drove over to the nursing home. The night nurse and a guard greeted me at the door. We went up to the third floor of the large building. In the day room, the nurse introduced me to Hannah.
She was a sweet, silver-haired old timer with a warm smile and a twinkle in her eye. I told her about finding the wallet and showed her the letter. The second she saw the powder blue envelope with that little flower on the left, she took a deep breath and said, "Young man, this letter was the last contact I ever had with Michael."
She looked away for a moment deep in thought and then said Softly, "I loved him very much. But I was only 16 at the time and my mother felt I was too young. Oh, he was so handsome. He looked like Sean Connery, the actor."
"Yes," she continued. "Michael Goldstein was a wonderful person. If you should find him, tell him I think of him often. And," she hesitated for a moment, almost biting her lip, "tell him I still love him. You know," she said smiling as tears began to well up in her eyes, "I never did marry. I guess no one ever matched up to Michael..."
I thanked Hannah and said goodbye. I took the elevator to the first floor and as I stood by the door, the guard there asked, "Was the old lady able to help you?"
I told him she had given me a lead. "At least I have a last name. But I think I'll let it go for a while. I spent almost the whole day trying to find the owner of this wallet."
I had taken out the wallet, which was a simple brown leather case with red lacing on the side. When the guard saw it, he said, "Hey, wait a minute! That's Mr. Goldstein's wallet. I'd know it anywhere with that bright red lacing. He's always losing that wallet. I must have found it in the halls at least three times."
"Who's Mr. Goldstein?" I asked as my hand began to shake.
"He's one of the old timers on the 8th floor. That's Mike Goldstein's wallet for sure. He must have lost it on one of his walks." I thanked the guard and quickly ran back to the nurse's office. I told her what the guard had said. We went back to the elevator and got on. I prayed that Mr. Goldstein would be up.
On the eighth floor, the floor nurse said, "I think he's still in the day room. He likes to read at night. He's a darling old man."
We went to the only room that had any lights on and there was a man reading a book. The nurse went over to him and asked if he had lost his wallet. Mr. Goldstein looked up with surprise, put his hand in his back pocket and said, "Oh, it is missing!"
"This kind gentleman found a wallet and we wondered if it could be yours?"
I handed Mr. Goldstein the wallet and the second he saw it, he smiled with relief and said, "Yes, that's it! It must have dropped out of my pocket this afternoon. I want to give you a reward."
"No, thank you," I said. "But I have to tell you something. I read the letter in the hope of finding out who owned the wallet."
The smile on his face suddenly disappeared. "You read that letter?"
"Not only did I read it, I think I know where Hannah is."
He suddenly grew pale. "Hannah? You know where she is? How is she? Is she still as pretty as she was? Please, please tell me," he begged.
"She's fine...just as pretty as when you knew her." I said softly.
The old man smiled with anticipation and asked, "Could you tell me where she is? I want to call her tomorrow." He grabbed my hand and said, "You know something, mister, I was so in love with that girl that when that letter came, my life literally ended. I never married. I guess I've always loved her."
"Mr. Goldstein," I said, "Come with me."
We took the elevator down to the third floor. The hallways were darkened and only one or two little night-lights lit our way to the day room where Hannah was sitting alone watching the television. The nurse walked over to her.
"Hannah," she said softly, pointing to Michael, who was waiting with me in the doorway. "Do you know this man?"
She adjusted her glasses, looked for a moment, but didn't say a word.
Michael said softly, almost in a whisper, "Hannah, it's Michael. Do you remember me?"
She gasped, "Michael! I don't believe it! Michael! It's you! My Michael!"
He walked slowly towards her and they embraced. The nurse and I left with tears streaming down our faces.
"See," I said. "See how the Good Lord works! If it's meant to be, it will be."
About three weeks later I got a call at my office from the nursing home. "Can you break away on Sunday to attend a wedding? Michael and Hannah are going to tie the knot!"
It was a beautiful wedding with all the people at the nursing home dressed up to join in the celebration. Hannah wore a light beige dress and looked beautiful. Michael wore a dark blue suit and stood tall.
They made me their best man. The hospital gave them their own room and if you ever wanted to see a 76-year-old bride and a 79-year-old groom acting like two teenagers, you had to see this couple.
A perfect ending for a love affair that had lasted nearly 60 years.

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Tuesday, 22 August 2023

JUST IMAGINE


JUST IMAGINE
(author unknown)

Have you ever thought about this?

In 100 years like in 2123 we will all be buried with our relatives and friends.
Strangers will live in our homes we fought so hard to build, and they will own everything we have today. All our possessions will be unknown and unborn, including the car we spent a fortune on, and will probably be scrap, preferably in the hands of an unknown collector.

Our descendants will hardly or hardly know who we were, nor will they remember us. How many of us know our grandfather's father?
After we die, we will be remembered for a few more years, then we are just a portrait on someone's bookshelf, and a few years later our history, photos and deeds disappear in history's oblivion. We won't even be memories.
If we paused one day to analyse these questions, perhaps we would understand how ignorant and weak the dream to achieve it all was.
If we could only think about this, surely our approaches, our thoughts would change, we would be different people.

Always having more, no time for what's really valuable in this life. I'd change all this to live and enjoy the walks I've never taken, these hugs I didn't give, these kisses for our children and our loved ones, these jokes we didn't have time for. Those would certainly be the most beautiful moments to remember, after all they would fill our lives with joy.

And we waste it day after day with greed, greed and intolerance.


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Sunday, 20 August 2023

So What Makes A Story So Compelling



 

So What Makes A Story So Compelling

By Luke Mitchell (Sci-Fi author) 2023

 

I've got a question for you, today..
What do you get when you mix a sprawling space adventure with dashes of political intrigue, daring space battles, and sinister forces seeking to topple everything and take over?
I'd stand up and shout that you get Star Wars. Right?
Sure.
But isn't it also true that you maybe get Battlestar Galactica? Or The Expanse? Or the Hyperion Cantos? (Just to name a few.)
How about when you mix some good old fashioned archaeological intrigue with evil forces bent on conquering Earth?
Could be Indiana Jones and those pesky nazis. Could be the Michael Bay Transformers movies. To some extent, it could even be The Da Vinci Code.
I'm not expecting any of this will strike you as a Robert-Langdon-sized epiphany.
It's no surprise that many stories within a genre end up using similar elements, right? Or that you can even find plenty of common patterns between stories across many different genres.
But what exactly is it that separates Battlestar Galactica from The Expanse? Or The Witcher from Game of Thrones? Or Indiana Jones from Robert Langdon?
It's kind of a big question, and there are nearly infinite answers, ranging from "basically everything" to "almost nothing," depending on how broad or nuanced a view we'd like to take.
Entire books could be (and have been) written about what makes a story a story, what makes it unique (yet universal), and why it is that two authors can take the EXACT same premise and outline and STILL end up with wildly different stories at the end.
There are a ton of interesting facets to unpack here.
But the one I want to talk about today is tone.
... Which would normally dictate that I define what I actually mean by "tone." But I don't have an especially insightful definition to offer. Tone, in my mind, is something that's too pervasive in too many different ways from story to story to really pinpoint the breadth of it.
It's there in the bleak, gritty aesthetic and dramatic camera cuts of Battlestar Galactica, just as it's there in Star Wars with the whimsical blaster/hyperdrive vocabulary and the mythical stature of Jedi Knights and the Light Side vs. the Dark.
It's there in Indiana Jone's fedora-capped quips and roguish grins (and don't forget the whip!), just as it's there in Robert Langdon's tense races to delve through all that well-researched exposition in order to solve the puzzle and move deeper into the metaphorical (or actual) labyrinth before the evil henchmen catch up.
If I had to assign a simple word or two, I'd say that tone is the mood or feeling of a story. Maybe even the texture—the unique fingerprint that distinguishes it from myriad similar (or sometimes nearly identical, as in the case between Black Panther and Aquaman) plots.
And sure, these might just seem like surface details. The paint job that lets you recognize your car from your co-worker's doesn't actually affect what's happening under the hood, does it? (That's a serious question. How do cars work?)
And true, in some stories, tone really does end up feeling like something that was pasted on after the fact, once all the meat of the story was already in place. (e.g. all the movies that inexplicably started throwing everyone into weird black trench coats following the wild success of The Matrix.)
But I'd argue that, in an "effective" story, tone is actually an invaluable tool for amplifying, highlighting, and sometimes even challenging whatever themes, emotions, or points the storyteller is trying to get at.
Tone can be a significant part of what makes a good story really feel cohesive and complete.
Much like a well-matched character can lend serious emotional gravitas to a given plot through their growth and self-realization, a well-paired tone (as opposed to random, ad-hoc one) can make a story feel immensely more meaningful.
And that, in my not-so-humble opinion, is a big deal.
Imagine how much different Lord of the Rings would've felt if Frodo had been a prophesied Chosen One and Gandalf had gone running around waving a wand and casting spells willy-nilly with Latin incantations (a-la Harry Potter) rather than working the sort of deep, slow magic that we see him work when he absolutely must (and facing the toll that it so clearly takes on him when he does).
Small details at first, maybe. But think about how they begin to seep through the entire story and erode the emotional weight of what these characters must go through to complete their respective journeys.
(Note: this is not at all to say that I think Harry Potter lacks emotional fortitude, or anything of the sort. I love Harry Potter. I'm just offering one little example of how tone and "small details" can deeply affect the kind of emotional resonance a story might evoke.)
Think about the last few books you read. (Especially the ones that were from markedly different genres, but gripped you all the same.)
What drew you to those books? What was it (specifically) that you enjoyed as you read? Was there a common feeling, mood, or character archetype you can identify across all of these stories?
When you pick up a book, do you find yourself craving a particular genre, or are you in fact seeking your favourite tone?

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Tuesday, 15 August 2023

WASU BECAME AN EAGLE


WASU BECAME AN EAGLE
(author Summer Grace Vanni)

”I was waiting in line for a ride at the airport. When a cab pulled up, the first thing I noticed was that the taxi was polished to a bright shine. Smartly dressed in a white shirt, black tie, and freshly pressed black slacks, the cab driver jumped out and rounded the car to open the back passenger door for me.
He handed me a laminated card and said: 'I'm Wasu, your driver. While I'm loading your bags in the trunk I'd like you to read my mission statement.'
Taken aback, I read the card. It said: Wasu's Mission Statement:
To get my customers to their destination in the quickest, safest, and cheapest way possible in a friendly environment.
This blew me away. Especially when I noticed that the inside of the cab matched the outside. Spotlessly clean!
As he slid behind the wheel, Wasu said, 'Would you like a cup of coffee? I have a thermos of regular and one of decaf.'
I said jokingly, 'No, I'd prefer a soft drink.'
Wasu smiled and said, 'No problem. I have a cooler up front with regular and Diet Coke, lassi, water, and orange juice.'
Almost stuttering, I said, 'I'll take a lassi since I’ve never had one before.'
Handing me my drink, Wasu said, 'If you'd like something to read, I have Good Housekeeping magazine, Reader’s Digest, The Bible, and a Travel + Leisure magazine.'
As they were pulling away, Wasu handed me another laminated card, 'These are the stations I get and the music they play, if you'd like to listen to the radio.'
And as if that weren't enough, Wasu told me that he had the heater on and asked if the temperature was comfortable for me.
Then he advised me of the best route to my destination for that time of day. He also let me know that he'd be happy to chat and tell me about some of the sights or, if I preferred, to leave me with my own thoughts.
'Tell me, Wasu,' I was amazed and asked him, 'have you always served customers like this?'
Wasu smiled into the rear view mirror. 'No, not always. In fact, it's only been in the last two years. My first five years driving, I spent most of my time complaining like all the rest of the cabbies do. Then I heard about power of choice one day.'
'Power of choice is that you can be a duck or an eagle.'
'If you get up in the morning expecting to have a bad day, you'll rarely disappoint yourself. Stop complaining!'
'Don't be a duck. Be an eagle. Ducks quack and complain. Eagles soar above the crowd.'
'That hit me right,' said Wasu. He continued and said, 'It is about me. I was always quacking and complaining, so I decided to change my attitude and become an eagle. I looked around at the other cabs and their drivers. The cabs were dirty, the drivers were unfriendly, and the customers were unhappy. So I decided to make some changes. I put in a few at a time. When my customers responded well, I did more.'
'I take it that has paid off for you,' I said.
'It sure has,' Wasu replied. 'My first year as an eagle, I doubled my income from the previous year. This year I'll probably quadruple it. My customers call me for appointments on my cell phone or leave a message on it.'
Wasu made a different choice. He decided to stop quacking like ducks and start soaring like eagles.
Have an eagle life ahead.....

I hope you all decide to soar like an Eagle and not quack like a duck”

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Friday, 11 August 2023

THERE IS ALWAYS A TOMORROW

 


THERE IS ALWAYS A TOMORROW
(author unknown)

My name is Tomorrow "not my real name", I own a company, none of my staff knew me as the owner except the Manager and the Secretary. (I had told them not to disclose my identity).

I don't usually go for a visit.
One day, I visited the company and I saw my Ex wife, who had thrown me out of my own house. I asked the Manager and he said she is one of their staff.
I instructed the Manager to promote her to Personnel Officer, gave her a car, a bungalow, garden boy, security and other emoluments. An undeserved position though, of which he did.
A month later, I went there as a job seeker. As soon as she saw me with my application and CV, she rejected me outright, threw my application at my face, and immediately retrieved it from the floor and tore it to pieces and threw it into the waste bin. After regaling me with all my past, she informed me I would never get employment nor an opportunity at the company. Also, she swore on heaven and the earth that all this would happen. She boldly declared that the only way I’d get employment at the company was over her cold dead body.
I came the following day with another application and went on my knees to beg her, but she refused and spat into the waste bin and said even if I was the only bridge to cross to come to work, she would opt for a boat and called the security men to throw me out, so I left.
One day, I went to the company in my real identity and entered her office with the Manager who introduced me to her, she quickly knelt down crying and begging me, "the proposed rejected bridge.” She informed me that her entire family depended on her for survival. If her employment was terminated, she added, life would be absolutely horrendous not only for her but also her entire family. She even promised to remarry me.
We both stood there motionless and speechless which left the Manager befuddled.
Many things started racing in my head. Should I call for the police? Should I strip her of her current position to her former position? Should I cancel the unqualified benefits given to her? Should I accept such a woman back?
I'm still standing at her office indecisive.
If you were in my shoes, what would you do?

THERE IS TOMORROW

Whenever you are dealing with people, you must always remember that there is tomorrow and you might need them tomorrow. You may end up needing help from the people who are asking for your help today, so help as much as you can.
Life is like a moving wheel, sometimes you are up and sometimes you are down. Sometimes we destroy the bridges that we might need to help us cross back tomorrow. Sometimes we treat people as though there is never going to be tomorrow. We sometimes act as though we will never need help from anyone. Remember there's tomorrow.
Joseph helped the cupbearer in prison and later the cupbearer connected Joseph with Pharaoh. Imagine how Portiphar's wife felt when she heard that Joseph was now the Governor of Egypt, after she had falsely accused him. The brother who sold Joseph away ended up being fed by him. Don't ever think of going to the extreme with your offenders, they might be rescuers tomorrow. Always remember that there is tomorrow and it will surely come.
The little help you give to people today, will profit you tomorrow.
May the good Lord touch your heart to live your life knowing that there is tomorrow.

In Everything You Do, Always
Remember That, There Is always a Tomorrow. and the best is yet to be
I just hope you've learnt something.
Thank You So Much For Reading Through

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Thursday, 10 August 2023

THE LITTLE BOY


THE LITTLE BOY

(author unknown)

Every month Martín’s parents took a trip to see Grandma and came home on the same train the next day. One day the child said to his parents:
“I'm already grown up. Can I go to my grandma's alone?"

After a brief discussion, his parents accepted. They stood with him as he waited for the train to exit. They said goodbye to their son and gave him some tips through the window. Martin repeated to them:

“I know. I've been told this more than a thousand times."
As the train was about to leave, his father murmured in his ear:
“Son if you feel bad or insecure, this is for you!"
And he put something in his pocket.

Now Martin was alone, sitting on the train as he had wanted, without his parents for the first time.

He was admiring the landscape out the window. Around him some unknowns pushed themselves in. They made a lot of noise. They got in and out of the train car. The conductor made some comments about him being alone. One person looked at him with eyes of sadness.

Martin was feeling more uneasy with every minute that passed. And now he was scared. He felt cornered and alone. He put his head down, and with tears in his eyes, he remembered his dad had put something in his pocket. Trembling, he searched for what his father had given him. Upon finding the piece of paper he read it:

“Son, I'm in the last train car!"

That's how life is, we must let our kids go. We must let them try new things. But we always like to be in the last car, watching, in case they are afraid or in case they find obstacles and don’t know what to do. We want to be close to them as long as we are still alive.


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Saturday, 5 August 2023

REFLECTION


REFLECTION (author unknown)
"My parents were married for 55 years. One morning, my mom was going downstairs to make dad breakfast, she had a heart attack and fell. My father picked her up as best he could and almost dragged her into the truck. At full speed , without respecting traffic lights, he drove her to the hospital.
When he arrived, unfortunately she was no longer with us.
During the funeral, my father did not speak; his gaze was lost. He hardly cried.
That night, his children joined him. In an atmosphere of pain and nostalgia, we remembered beautiful anecdotes and he asked my brother, a theologian, to tell him where Mom would be at that moment. My brother began to talk about life after death, and guesses as to how and where she would be.
My father listened carefully. Suddenly he asked us to take him to the cemetery.
Dad!" we replied, "it's 11 at night, we can't go to the cemetery right now!"
He raised his voice, and with a glazed look he said:
"Don't argue with me, please don't argue with the man who just lost his wife of 55 years."
There was a moment of respectful silence, we didn't argue anymore. We went to the cemetery, we asked the night watchman for permission. With a flashlight we reached the tomb. My father caressed her, prayed and told his children, who watched the scene moved:
"It was 55 years... you know? No one can talk about true love if they have no idea what it's like to share life with a woman."
He paused and wiped his face. "She and I, we were together in that crisis. I changed jobs ..." he continued. "We packed up when we sold the house and moved out of town. We shared the joy of seeing our children finish their careers, we mourned the departure of loved ones side by side, we prayed together in the waiting room of some hospitals, we support each other in pain, we hug each Christmas, and we forgive our mistakes... Children, now it's gone, and I'm happy, do you know why?
Because she left before me. She didn't have to go through the agony and pain of burying me, of being left alone after my departure. I will be the one to go through that, and I thank God. I love her so much that I wouldn't have liked her to suffer..."
When my father finished speaking, my brothers and I had tears streaming down our faces. We hugged him, and he comforted us, "It's okay, we can go home, it's been a good day."
That night I understood what true love is; It is far from romanticism, it does not have much to do with eroticism, or with sex, rather it is linked to work, to complement, to care and, above all, to the true love that two really committed people profess ".
Peace in your hearts.

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"A VERY MERRY CHRISTMAS MARKET, NOT"

"A VERY MERRY CHRISTMAS MARKET, NOT" (author unknown) Is there anything less festive than the Christmas markets? Thousands of piss...